Violinist Regina Carter brings her brand of folk-jazz to Jeff Center
by Brother Love
World renowned jazz violinist virtuoso Regina Carter brought her unique style to Roanoke’s Jefferson Center Friday, April 16 and graced the venue with music from her latest CD “Southern Comfort,” that was both enchanting and exciting. The project traces her roots by way of her father to her coalminer grandfather in Alabama prior to their migration to the “Motor City.”
All the songs on this CD were inspired by real southern folk songs. “Southern Comfort” is a continuation of her previous CD “Reverse Thread” that deals with her African roots interpreted by her violin. Carter is a petite giant who conveys a musicality that rates her as one of the best jazz violinist on the planet. No wonder she received the John D. and Catherine T. MacArthur Foundation award (genius grant).
Some of the hot compositions on the “Southern Comfort” CD she performed were Honky Tonkin,’ Trampin,’ See See Rider and Cornbread Crumble in Gravy.
The show was also educational as several raw and original recordings of certain folk songs were played over the mic from a cell phone prior to performing her interpretations. Carter’s approach put a different slant on the music her grandfather heard toiling in the coalmines of Alabama.
Backing her was an extremely talented ensemble consisting of Chris Lightcap (bass), Marvin Sewell (guitar), Will Holhouser (accordion) and Satoshi Takeishi on drums.
Many who attended the concert expecting jazz were undoubtedly surprised at the folky treatment (earthy and spacious) that turned out to be an extremely refreshing switch as Carter is generally considered a jazz artist. There were also beautiful ballads and African diaspora inspired selections played throughout the 90 min. show.
As a veteran musician of over 5 decades, Carter’s ability to create, execute and convey colorful compositions is extraordinary. Anyone familiar with great jazz violinists will hear influences of such notables as Stuff Smith, Stephane Grappelli, Noel Pointer and African Diaspora artist Fela Kuti and arrangements in the spirit of Aaron Copeland and Duke Ellington, all encompassed in the magic of her genius and superb execution.
Judging by the shear artistry revealed through her multi-layered project “Southern Comfort,” Carter proves herself as a skillful and seasoned pro who is truly an American treasure.
